Photograph by Debra Disman
Photography except for top image of !8th Street Arts Center by Salvador Ochoa
Artist
By Debra Disman
Photograph by Debra Disman
Photography except for top image of !8th Street Arts Center by Salvador Ochoa
By Debra Disman
TRANSITION II
Transition, convergence, a sea change, a shift…whenever there is change, seismic or not, the axis of our lives seems to move, and maybe it does.
If we think about an axis….we can see how monumental it is when it changes, when changes causes it to move literally or figuratively. Causing us to change, or at least, compelling us to adapt.
ax·is
noun
2.
MATHEMATICS
a fixed reference line for the measurement of coordinates.
“the earth revolves on its axis once every 24 hours” gives us a sense of this. When we think of change this way, even desirable change, even the change we seek, we can see how disorientating it can be. How disorientating it IS.
Thinking back to my last post, I see how I am trying to grapple with my own transition, moving away from forms that have been a mainstay for many years…past work, site, blog, digital and professional identity, into something something that contains it all.
After nearly seven years in Los Angeles developing new work,
I currently work in the form of the book, in forms inspired by the book, and in new sculptural media of my own devising. Although the work remains tethered to loose definitions of the book as structure, it is moving progressively into other sculptural and conceptual realms where labor, repetition and a passion for the haptic become powerful motivators and themes….
I finally sat down, and updated all my social media platforms. To change a “page” on Facebook is very complicated, so the moniker “ArtiFactory Studio” remains there… but the information, the essence, is finally updated, as well as on Linked In, Pinterest, and more. It was a relief, and kind of exhilarating to get it done. It was time.
It is interesting to think how we are not only constantly being “profiled”, we profile ourselves. We are willing participants in the continual construction of our identities. I realized that though how we show up online is critical on one level, on another it isn’t at all…no-one…of the many many folks i interact with around work, ever questioned the disconnect between my social media profiles, and the streams which flowed from them..streams of information, of images, of posts designed to share what I encounter, what I think can be helpful, what I want others to see. It is a construct which should have truth at its center.
With any change, we bring everything with us, every experience, every moment, every breath.
Having worked in the realm of the built environment for many years I am fascinated by the parallels between books and buildings in terms of structure, meaning, utility, architecture and effect. Each creates public and private spaces where stories are “read” on many levels, often revealing more than their authors and makers ever intended. I try to create such places and spaces of inspiration, contemplation, realization and bafflement in my work and to instigate investigation, exploration and discovery in myself and others.
By Debra Disman
Join bookmaker Debra Disman and embellish the ‘Big Beach Book,’ a people-sized book structure she developed with the community during the course of her recent Residency. Use paint pens, maps, repurposed book pages, collage materials and more, and add your special signature to this community driven project, inspired by the Camera, Palisades Park, the Santa Monica Beach and mountains, and of course, the blue Pacific! All are welcome.
By Debra Disman
Debra Disman and Huong Nguyen: New Works |
Join us for the culminating exhibition of studio residents Debra Disman and Huong Nguyen, showing new works in fabric and paper. Debra Disman and Huong Nguyen are sharing the Camera Obscura Art Lab Studio space during their simultaneous residency, which spans January 10 to April 18, 2018.