Debra Disman

Artist

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Artists" Book

Staying OPEN

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It is an honor to be participating in the 2020 CALIFORNIA OPEN Exhibition at TAG Gallery.
You can visit the show live and in-person by appointment:
TAG Gallery 5458 Wilshire Blvd, Los Angeles, CA 90036
310.829.9556 | gallery@taggallery.net | 11am -5pm, Tue-Sat

TAG Gallery is thrilled to share the 15th Annual 2020 CALIFORNIA OPEN  Exhibition, featuring unique art pieces from 99 artists from around the United States.

Juror Kate Mothes , accomplished founder of Young Space @yngspc and Dovetail Magazine @dovetail.mag thoughtfully selected nearly 1000 works submitted from our national call for art to assemble what is a uniquely incredible show.

She says,

“Much has already been written about the unprecedented time we find ourselves in,” explains juror Kate Mothes. “As I reviewed the submissions for the California Open, I had a raised awareness of the circumstances and time period during which much of the work had been made.”

“I like the ‘openness’ of the California Open concept,” continues Mothes, “so in my selections I tried to maintain a diversity of ideas and themes, and to the best of ability with the information at hand, include artists of diverse backgrounds. With this in mind, I also considered the craftsmanship of each work, and included a range of media types. It was a pleasure to review all of the submissions to this year’s open call, and I thank TAG Gallery for inviting me to participate as juror this year!”

View the 2020 California Open Exhibition  here!
ENJOY the Artist Chat:
Wednesday, September 23, 3pm – California Open 2020 Artist Chat via Zoom (sign up on Facebook required)

2020 CALIFORNIA OPEN PARTICIPATING ARTISTS

Troy Aiken, Norman Aragones, Sarah Arnold, Louis Balicki, Jenny Balisle, Michele Benzamin-Miki, Reiko Berg, Allegra Bick-Maurischat, Raydel Blanco, Alessia Bothorel, Nancy Byrnes, Julie Carcione Cavaz, Chung-Ping Cheng, Michael Chesler, Jonathan Crow, Laurie Curran, Jaren Dahlstrom, Debra Disman, Lee Dollison, Laurence Elias, Mims Ellis, Robert Esau, Mumtaz Essa, Astrid Francis, Rinaldo Frattolillo, Gail Glikmann, Aspen Golann, Leslie Goldenberg, Bart Goldman, Emily Gomez, Keri Haarhoff, Andy Hann, Debra Hintz, Gary Hong, Cathy Immordino, Federico Imperiale, Marta Jaremko, Joan Karp, Sassoon Kosian, Faina Kumpan, Esther Kwan, JJ L’Heureux, Julie La Rue, Bonnie Lambert, John Langdon, Michelene Laski, Tom Lasley, Nancy Goodman Lawrence, Nakyung Lee, Andrew Leventis, Roberta Levitow, Whitman Lindstrom, Janet Manalo, Don Manderson, Carmen Mardonez, Andrew Martin, Melissa McClellan, Janet Milhomme, Zachary Miller, Eliza Ann Mitchell, Joseph Moreno, Nelson Munares, Perola Navarro, Bryan Northup, Joe A. Oakes, Cara Park, James Parlin, Nora Pineda, Sherry Pollack Walker, Justin Prough, Manaz Raiszadeh, Michael Roy, Gigi Salij, David Shannon, Ashley Shellhause, Sam Shokati, Jen Solomon, Tianyi Sun, Emily Sunez, Pam Sutherland, Viviana Svidler, Ariel Swartley, Robin Tripaldi, Michael Usher, Paul Valadez, Crystal Vicars, Amy Vidra, Catherine Walker, Sheldon Walker, Emily Wallerstein, Eric Welch, Mira White, Debbie Wolf, Wendy Widell Wolff, Travis Worden, Miss Art World, Amy Wright, Shingo Yamazaki, Jim Zver

CALIFORNIA OPEN INFORMATION

NATIONAL SHOW: “Blackout”

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I am honored to have my piece, “Maximum Security”  included in Ashton Gallery @ Art on 30th contemporary Art Center and Gallery’s NATIONAL SHOW:

BLACKOUT

“Features the best pieces from all over the country that include the color black: seductive, powerful, elegant, formal, prestigious, and mysterious.”

Juror: Daniel Foster, 30-year career in arts & museum leadership in Southern California

Reception: Saturday, October 27th, 6pm–8pm
​Exhibit Dates: October 27th–November 17th

About the Juror: Daniel Foster has an extensive 30-year career in arts and museum leadership in San Diego and Southern California. He is the past Executive Director of the Oceanside Museum of Art (2012-15) and the Riverside Art Museum (2003-08), in addition to past positions with the San Diego Art Institute, UC San Diego Visual Arts Dept., San Francisco Art Institute, and the Headlands Center for the Arts.  Additionally, Foster founded and launched the North County Arts Network in 2014 and the Arts Council for San Bernardino County in 2012 (when he was the President/CEO of The Community Foundation).  Foster is a conceptual and multi-disciplinary visual artist and poet.

 

In Resonant Residence (6)

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In Resonant Residence (6)

I formally began Studio Residency at the Camera Obscura Art Lab

in Santa Monica Wednesday January 10th.  I share the sunlit space, located within the beautiful Mid-century building overlooking Palisades Park, Santa Monica Beach and the blue Pacific with textile artist and fellow Studio Artist-in-Residence Huong Nguyen.
“About the Art Lab and Camera Obscura

1450 Exterior
Vintage Camera Obscura
 
 
 
 
Step inside the Camera Obscura Art Lab and you’ll find a welcoming space with fantastic views of Santa Monica Bay and the Pier. The Camera is located in a midcentury time capsule in Palisades Park between Broadway and Santa Monica Blvd on what was once the site of the Pacific Electric Railway’s North Beach Station. Designed by noted architect Weldon J. Fulton (who’s work can be found around town including the classic Camera Obscura sign and font, the Montana and Fairview branch libraries, and the former Zucky’s building on Wilshire Blvd), the building’s exterior features walls clad in chunky Palos Verdes stone, glass walls, sloping roofs, and projecting canopies and rafter beams. It was donated to the City of Santa Monica by Marcellus Joslyn in 1955.”

The huge studio windows look out on palms, walkways and a huge assortment of passers by, strollers, park wanderers and beach combers. The Studio is a magical place to work.

Fourth Workshop, February 3, 2018:
Making the Fireworks Book, A whimsical pop-up book project, designed by UK Book Artist, Paul Johnson, who derived it from an Eastern European paper engineer, who was inspired by…you get the picture. We are links in the chain. A long chain, potentially, that folds up and then “explodes’ open…like fireworks…

Fireworks Book Workshop!

Folding

Adding pop-ups to the pop-up folds…

Cutting…

and pasting…

Adding the “wings” (pop-ups folding out, and in…

Color and pattern…

“s-t-o-p???”…No- keep going!

Putting it all together.

 

In Resonant Residence (5)

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I formally began Studio Residency at the Camera Obscura Art Lab


in Santa Monica Wednesday January 10th.  I share the sunlit space, located within the beautiful Mid-century building overlooking Palisades Park, Santa Monica Beach and the blue Pacific with textile artist and fellow Studio Artist-in-Residence Huong Nguyen.

“About the Art Lab and Camera Obscura
1450 Exterior
Vintage Camera Obscura
 
 
 
 
Step inside the Camera Obscura Art Lab and you’ll find a welcoming space with fantastic views of Santa Monica Bay and the Pier. The Camera is located in a midcentury time capsule in Palisades Park between Broadway and Santa Monica Blvd on what was once the site of the Pacific Electric Railway’s North Beach Station. Designed by noted architect Weldon J. Fulton (who’s work can be found around town including the classic Camera Obscura sign and font, the Montana and Fairview branch libraries, and the former Zucky’s building on Wilshire Blvd), the building’s exterior features walls clad in chunky Palos Verdes stone, glass walls, sloping roofs, and projecting canopies and rafter beams. It was donated to the City of Santa Monica by Marcellus Joslyn in 1955.”

The huge studio windows look out on palms, walkways and a huge assortment of passers by, strollers, park wanderers and beach combers. The Studio is a magical place to work.

Third Workshop, January 27, 2018:
Scrolls and Paper Marbling

The Marbling Reveal…Creating luminous color.


Creating the scroll form, and adding marbled and Shibori papers.


The pièce de résistance…elegant in its simplicity!

In Resonant Residence (4)

By

In Resonant Residence (4)

I formally began Studio Residency at the Camera Obscura Art Lab

in Santa Monica Wednesday January 10th.  I share the sunlit space, located within the beautiful Mid-century building overlooking Palisades Park, Santa Monica Beach and the blue Pacific with textile artist and fellow Studio Artist-in-Residence Huong Nguyen.

“About the Art Lab and Camera Obscura
1450 Exterior
Vintage Camera Obscura
 
 
 
 
Step inside the Camera Obscura Art Lab and you’ll find a welcoming space with fantastic views of Santa Monica Bay and the Pier. The Camera is located in a midcentury time capsule in Palisades Park between Broadway and Santa Monica Blvd on what was once the site of the Pacific Electric Railway’s North Beach Station. Designed by noted architect Weldon J. Fulton (who’s work can be found around town including the classic Camera Obscura sign and font, the Montana and Fairview branch libraries, and the former Zucky’s building on Wilshire Blvd), the building’s exterior features walls clad in chunky Palos Verdes stone, glass walls, sloping roofs, and projecting canopies and rafter beams. It was donated to the City of Santa Monica by Marcellus Joslyn in 1955.”

The huge studio windows look out on palms, walkways and a huge assortment of passers by, strollers, park wanderers and beach combers. The Studio is a magical place to work.

Magical, material world…

Gatherings of ideas and materials…in a book.

Beginning “Throes of the Body”…sculptural book …or… sculpture in book form.

Book board, mulberry paper, watercolor paper, canvas, acid-free archival PVA-polyvinyl adhesive.

Resurfacing…

Holding the shape of the accordion folded spine.

Looking forward…

In Resonant Residence (3)

By

In Resonant Residence (3)

I formally began Studio Residency at the Camera Obscura Art Lab


in Santa Monica Wednesday January 10th.  I share the sunlit space, located within the beautiful Mid-century building overlooking Palisades Park, Santa Monica Beach and the blue Pacific with textile artist and fellow Studio Artist-in-Residence Huong Nguyen.

Second Workshop, January 20, 2018:
Making the Tunnel Book

Hey there! Creating together….

Our Tunnel Books were comprised of two accordion  sides/spines, a back “drop” (background sheet attached to both spines), and cross pieces or frames attached to each fold of the spines and moving back in space.  The ‘scene” is developed by attaching imagery, shapes, designs, patterns and textures to the cross pieces. Sound confusing? Just look at what these talented, creative and best of all, open to adventure participants made!

Pacific Northwest?

Terrific trio…bey of beauties. Each created a jewel of a piece.

Above the orange background piece is attached to the pink and red accordion spines, and a patterned blue strip of paper ois being glues to the fold closest to the backdrop in both spines.

This maker brought in a piece of her own embroidery, and used vintage Victorian style cutout to create her scene. i happen to know this piece was gifted to someone after the workshop!

Contemplating an underwater dive (scene). Seriously!

The work of our hands….this maker taught jewelry making for many years at Santa Monica College.

With the “doors” shut, this piece looks like a castle…

This maker imaginatively used dullard cut-outs to create a surf-themed piece for her neice.

This maker has a very distinct sensibility, and often chooses earth tones, punctuated by color, adding a strong design sense to her work.

This maker is one creative soul…she works with textiles and has done theatrical design, and it shows. She also supported and cheered on her fellow makers.


“It’s time”…says it all….is there a trip in store?

It is magical to create by the sand, by the sea, by the blue Pacific, and share this experience with these makers.  Picturing your dreams can be the first step to bringing them to life and making them come true.
Gratitudes.