Debra Disman

Artist

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series

EXHIBITIONISTA: Iteration Reiteration at TOUCHSTONE GALLERY

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I am thrilled to participate in
in Washington, DC.

ITERATION REITERATION

Patterns and repetitive elements, integral to the art and design of countless cultures and artistic methods, offer viewers a framework to interpret information through recurring arrangements. How do these elements shape perception of art and the world?

This exhibition presents  artwork that embraces pattern and repetition as the focal point, a complementary element within a piece, or as a fundamental part of the creative process. From symmetrical arrangements, geometric precision, minimalist repetition, and organic flows, Iteration Reiteration honors the power of patterns and repetition.

Included  but not limited to are the visual mediums  painting, printmaking, textile and fiber, video and animation, photography, sculpture, ceramics, collage, performance, sound, and mixed media. All works are  original and completed within the past five years. The exhibition includes both a physical gallery show located in Washington, DC and a virtual exhibition. The fascinating and accomplished jurors are: 

I am showing Red Notebook (Here’s To The Red, White and Blue), 8.5 x 12.5 x 6.5″, placemat, linen thread, hemp cord, cloth, wood

In Reflection: “Three Sisters And Their Mother” and more

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I was thrilled to have a solo exhibition last winter at ReflectSpace Gallery, part of Glendale Arts and Culture, in the Glendale Central Library which opened Saturday January 28th and was on view through March 19,2023.
The show, a dream come true that I did not even know I  had, was curated by the wonderful Ara and Anahid Oshagan of The City of Glendale and founders of the gallery..

I was fortunate to have master photographer Gene Ogami document the show.

I share here two images featuring a work entitled, “Three Sisters And Their Mother”, which  engages a concept and presentation I am still exploring.

“Three Sisters and Their Mother” (2022),  made of canvas, acrylic paint, hemp cord, sunlight and gravity, is approximately 30” x 72”. Its dimensions are variable depending on how it is installed, the intervals of space between the components or sections, the way its ever-tangling cord/string wanders across each section, how high or low to the ceiling or the floor it is positioned, and how much in relief from the wall it is hung. As Eva Hesse once said about a work or works of hers… Can it be different every time…? (paraphrase). Naomi Spector writes beautifully about these ideas as regards to Hesse’s work.

Also pictured are: (below and clockwise from “Three Sisters And Their Mother”)
“I Can’t I Won’t I Will I Do”, (The titular work in the show), 2022,13 x 71.5”, repurposed table runner, acrylic paint, linen thread
“Finally”, (can hang on wall in slight relief), 2022, 48 x 19.5”, canvas, lace, hemp cord, sewing thread
“Excavation of the Interior”, 2021, 12″ x 28″ x 12.5″, wood, mulberry paper, canvas, muslin, watercolor paper, hemp cord, linen thread
Our human connections, gossamer though they may seem, form a tangled web that is always changing, and in some ways unfathomable, but there and always mysterious.