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Debra Disman

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Contemporary Art works

INTERPLAY of Texture, Color, Form and Materials

July 29, 2024 By Debra Disman

INTERPLAY, the Surface Design Association exhibition at the The Dairy Barn Arts Center’s O’Bleness Gallery

I am thrilled to participate in INTERPLAY, organized by the SDA!
(The awesome Surface Design Association!)
Presented at the The Dairy Barn Arts Center’s O’Bleness Gallery
8000 Dairy Lane
Athens, OH 45701
June 28 – September 5, 2024
Opening Reception:
June 28, 6 – 8PM
I am showing:
“Rent Wound Tear, Mend Heal Repair”
64 x 68 x .5″, (variable), canvas, paint, hemp cord, string, lace

SEE THE SHOW HERE!

Interplay presents works that explore parallels, synergies, or tensions between two or more ideas. Artworks may examine connections between seemingly unrelated concepts, map relationships between maker and materials, or reflect interactions between maker and tools. Works employ traditional, interdisciplinary, or collaborative methodologies.

Honoring the diverse range of approaches within fiber art and highlighting the rich tapestry of multicultural links, Interplay looks toward a future informed by the past, bringing together ideas for fresh reflection, reinterpretation, and deeper understanding.

Juror:
Due to her inimitable curiosity, Annet Couwenberg has pursued the ongoing conversations between traditional textile production and digital technologies throughout her art and teaching career. Couwenberg’s art, informed by her early work in the fashion industry, is diverse and includes sculptural forms and jacquard weavings as well as work with fish fossils and skeletons inspired by her study with a fish scientist as a Smithsonian Artist Research Fellow at the National Museum of Natural History. Couwenberg’s interdisciplinary work has demonstrated her capacity to create new realms. As a researcher of both traditional textiles and emerging techniques, she embraces a multi-directional knowledge exchange between new and established, creating art that visualizes methodologies to protect and preserve traditional practices while also expanding upon them. Born in The Netherlands, Couwenberg moved to the United States to receive MFA degrees at Syracuse University and Cranbrook Academy of Art. She has worked internationally, including in Korea, Turkey, Germany, Italy, Portugal, Poland, and The Netherlands.

Mark your calendars for Wednesday, July 31, 2PM ET for the Interplay Textile Talk and be on the lookout for our online gallery –  links coming soon!

SEE THE SHOW
LISTEN TO AND VEIW THE Interplay: Limitless Connection TEXTILE TALK

Interplay: Limitless Connections
Surface Design Association

THIS TEXTILE TALK

Join us as we celebrate three exhibitions highlighting the very best contemporary fiber art. We’ll hear from Interplay award winners Lyndsi Schuesler and Ji Young Kim, along with exhibition juror Annet Couwenberg. Interplay honors the diverse range of approaches within fiber art and looks toward a future informed by the past while bringing together ideas for fresh reflection, reinterpretation, and deeper understanding. Held in conjunction with Interplay, Echoes: A Solo Exhibition by Rena Wood pays tribute to textile histories and past makers. Rena will give us an inside look into the ways she imagines repetitive hand work and its connection to time. Moderated by Nora McGinnis, Interplay: Limitless Connections features artists who encourage us to think in new ways while also honoring tradition.

 

Filed Under: ARTISTS, Exhibitions, Presentations, TEXTILE/FIBER, Work Tagged With: Annet Couwenberg, Collaboration, collaborative methodologies, Contemporary Art works, Dairy Barn Arts Center, Fiber Arts, Fiber At works, interdisciplinary, Interplay, Ji Young Kim, Limitless Connections, Lyndsi Schuesler, multicultural links, O’Bleness Gallery, parallels, SDA, Surface Design Association, synergies, tensions, Textile Arts, Textile Talk, Textiles, The Dairy Barn Arts Center’s O’Bleness Gallery

EXHIBITIONISTA: Word and Weft: Visualizing the Word

July 4, 2024 By Debra Disman

I am happy to participate in:

Word and Weft: Visualizing the Word, at Webster Arts

I am showing: “Concurrencies I: Charlotte Salomon Eva Hesse”,  58 x 19.5″, denim, varnish, hemp cord, gold thread

Juror: Noriko Yuasa
Noriko Yuasa was born and raised in Yokohama, Japan. Noriko holds a BFA in Visual Communication Design from The School of the Art Institute of Chicago, and an MFA in Visual Studies, emphasis in Graphic Design from Minneapolis College of Art and Design. Prior to teaching at Webster University, her professional experience includes working at Duffy, New York, a Fallon Company in New York City. Projects included branding, editorial design, package design, product design and advertising. Her recent work involves nonprofit based, culturally centered projects. Her work is devoted to the development of visual language and systems for effective communication.

SEE THE SHOW ONLINE!

Tagged With: communication, Contemporary Art works, Group Show, Noriko Yuasa, Text, Text and Image, Text-based artworks, Visual and written art, visual communication, visual language, Visualizing the Word, Webster Arts, Webster Groves, Webster University, Word and Weft, word as art, written communication

EXHIBITIONISTA: INTERPLAY with the SDA

May 15, 2024 By Debra Disman

I am thrilled to participate in INTERPLAY, organized by the SDA!
(The awesome Surface Design Association!)
Presented at the The Dairy Barn Arts Center’s O’Bleness Gallery
8000 Dairy Lane
Athens, OH 45701
June 28 - September 5, 2024
Opening Reception:
June 28, 6 - 8PM

SEE THE SHOW HERE!

Interplay presents works that explore parallels, synergies, or tensions between two or more ideas. Artworks may examine connections between seemingly unrelated concepts, map relationships between maker and materials, or reflect interactions between maker and tools. Works employ traditional, interdisciplinary, or collaborative methodologies.

Honoring the diverse range of approaches within fiber art and highlighting the rich tapestry of multicultural links, Interplay looks toward a future informed by the past, bringing together ideas for fresh reflection, reinterpretation, and deeper understanding.

JUROR

Due to her inimitable curiosity, Annet Couwenberg has pursued the ongoing conversations between traditional textile production and digital technologies throughout her art and teaching career. Couwenberg’s art, informed by her early work in the fashion industry, is diverse and includes sculptural forms and jacquard weavings as well as work with fish fossils and skeletons inspired by her study with a fish scientist as a Smithsonian Artist Research Fellow at the National Museum of Natural History. Couwenberg’s interdisciplinary work has demonstrated her capacity to create new realms. As a researcher of both traditional textiles and emerging techniques, she embraces a multi-directional knowledge exchange between new and established, creating art that visualizes methodologies to protect and preserve traditional practices while also expanding upon them. Born in The Netherlands, Couwenberg moved to the United States to receive MFA degrees at Syracuse University and Cranbrook Academy of Art. She has worked internationally, including in Korea, Turkey, Germany, Italy, Portugal, Poland, and The Netherlands.

Mark your calendars for Wednesday, July 31, 2PM ET for the Interplay Textile Talk and be on the lookout for our online gallery -  links coming soon!

Tagged With: 50 Years of Fiber Art, Annet Couwenberg, Collaboration, collaborative methodologies, Contemporary Art works, Dairy Barn Arts Center, Fiber Arts, Fiber At works, interdisciplinary, Interplay, multicultural links, O’Bleness Gallery, parallels, SDA, Surface Design Association, synergies, tensions, Textile Arts, Textiles, The Dairy Barn Arts Center’s O’Bleness Gallery

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