Event Categories:ExhibitionsTeachingPresentations
Group Show
EXHIBITIONISTA: WHISPER at Verum Ultimum Gallery
Verum Ultimum Gallery 3014 NE Ainsworth, Portland, OR, United StatesI am thrilled to participate in WHISPER! at Verum Ultimum Gallery in Portland.
Says Owner and Curator Jennifer Gillia Cutshall:
"...when the murmur from art echoes beyond the walls & settles somewhere secret. And "Whisper" with an exclamation may signal contradictions or dualities. The term carries symbolism pertinent to the momentous occasion, but it also carries mystery to be filled in by artists' interpretations. Verum is open to all perceptions of this theme. Delicate expressions are welcome, as are bold, and the term WHISPER may be framed in many ways, not necessarily meant to be a literal elucidation. All mediums and modes of expression are welcome. Verum Ultimum Gallery tasks artists to define this inaugural exhibition to herald in Verum's new space in Southeast Portland this summer of 2024!"
EXHIBITIONISTA: Soliloquy at The Bridge Art Foundation’s Scholart Selection Gallery
The Scholorarts election 417 S Mission Dr, San Gabriel, CA, United StatesThe Bridge Arts Foundation presents "SOLILOQUY," hosted at our partnered gallery The Scholart Selection, in San Gabriel, CA, USA, from July 13th to August 10th, 2024.
"Soliloquy" is a solitary discourse with oneself, an intimate dialogue that transcends the confines of external perception. It captures the journey of introspection and self-discovery, where one navigates the labyrinthine corridors of their own mind, seeking clarity amidst the tumult of thoughts and emotions.
During their inner reflections, the individuals grapple with existential questions, confronting their fears, desires, and vulnerabilities with raw honesty in solitude. It embraces the inherent human longing for understanding and truth, inviting the individual to confront their inner darkness and embrace the transformative power of self-reflection.
EXHIBITIONISTA: “Evidence of Joy” at Intersect Arts Center
Intersect Arts Center 3636 Texas Ave, St. Louis, MO, United StatesSays curator April Parvitz:, "When I look at the current world of art, I feel like I see a lot of evidence of many inspiring things, but not always so much joy. I know in my own art practice, I am often fueled by loud palpable emotions like pain and confusion. Perhaps if I begin practicing using joy as fuel, I will begin to do it more habitually. Perhaps if we practice seeing joy more we can become habitual joy detectives.
Show me all the joy! I want to see and share artwork made in joy, artwork made upon discovering evidence of joy, and work that is just pure joy to look at! "
EXHIBITIONISTA: Iteration Reiteration at TOUCHSTONE GALLERY
Touchstone Gallery 901 New York Ave NW, Washington, DC, DC, United StatesI am thrilled to participate in in Washington, DC. ITERATION REITERATION Patterns and repetitive elements, integral to the art and design of countless cultures and artistic methods, offer viewers a framework to interpret information through recurring arrangements. How do these elements shape perception of art and the world? This exhibition presents artwork that embraces pattern […]
EXHIBITIONISTA: Word and Weft: Visualizing the Word
Webster Arts 2 Summit Avenue Webster Groves, (314) 279-1800, Webster Groves, MO, United StatesI am happy to participate in: Word and Weft: Visualizing the Word, at Webster Arts I am showing: "Concurrencies I: Charlotte Salomon Eva Hesse", 58 x 19.5", denim, varnish, hemp cord, gold thread Juror: Noriko Yuasa Noriko Yuasa was born and raised in Yokohama, Japan. Noriko holds a BFA in Visual Communication Design from The School […]
EXHIBITIONISTA: “White and Texture (Monochrome Unity)” at the Cultural Center of Cape Cod
Cultural Center of Cape Cod 307 Old Main Street, South Yarmouth, MA, United StatesI am thrilled to participate in "White & Texture " at the Cultural Center of Cape Cod!
Artists were invited to explore the profound subtleties and striking complexities of using white as the driving color and how texture within the white and informs the execution and the narrative of an artwork, as well as to to explore the effect of this limitation – without a “conventional” color palette.