Event Categories:ExhibitionsTeachingPresentations
Material Identity
Loveland Artists Collective 310 N. Railroad Avenue CO, Loveland, Colorado“How does materiality represent who we are? Does the material you use dictate who you are as a maker? How does medium speak to who you are as an individual?”
In the exhibition Material Identity, 27 artists and makers from 3 countries and 16 states explore the substance of material, paying special attention to their place in the world, either from a focus inward, or how they identify in society at large. This international exhibition was juried by Jiseon Lee Isbara, Otis College of Art and Design, and Jessica Kooiman Parker, Boulder Dairy Art Center.
Crafting Histories: Bookmaking with Debra Disman an Online Workshop Series
Craft Contemporary 5814 Wilshire Blvd, Los Angeles, CA, United StatesCrafting Histories: Bookmaking with Debra Disman an Online Workshop Series
The Art of the Book: Crafting Our Stories By Hand is an online workshop series specifically designed by Craft Contemporary and artist Debra Disman for adults over the age of 55. This program is made possible by funding from Aroha Philanthropies and is part of a nationwide campaign to bring thoughtful and specialized programs to a valuable population that is often undeserved by arts institutions.We invite you to register for this cycle's participant cohort. This 8-session bookmaking series taught by artist Debra Disman will meet through the online platform Zoom, every Friday at 11am - 1pm. Starting August 7 through September 11, 2020. The program will conclude with a final presentation and discussion of works and experiences, participants will also be provided a group document and online presence to share their work with friends and family.
The Book as Art v. 8.0: Infinity
Decatur Library 215 Sycamore Street, Decatur, GA, United StatesThe Book as Art v. 8.0: Infinity
Jurors: Bexx Caswell-Olson, Ann Kresge, Joe Sanders
Opening Reception
Friday, Aug. 28 | 7–9 pm
A book begins as a small mass of material, formed and pressed into life by ideas, words, and machines. A concept becomes thought, becomes word, becomes book, becomes sculpture. From the tactile complexity of handmade paper, to the alteration of existing volumes, to a variety of other materials and concepts, these objects, in an increasingly digital world, stubbornly survive. The objects in this exhibition will interpret the concept of the book and invite the viewer to look beyond the printed page to where word has become form.
The Book as Art v. 8.0: Infinity will be presented online until further notice.
However, the exhibition will be installed at the Decatur Branch of the DeKalb County Public Library, in anticipation that the Periodicals Gallery at the Decatur Library may be open for limited viewing before the advertised end of the exhibition (October 17).
Virtual programming is in development to supplement and enhance viewer experience.
Tarfest 2020: Transition
Launch LA 170 S La Brea Ave, Los Angeles, CAI am thrilled to be participating in: Tarfest is a free multidisciplinary festival produced to provide artists performance/exhibition opportunities and audiences from all over Los Angeles with unique arts programming in the Miracle Mile District.cing Aret Exhibition As significant transitions are evolving on multiple fronts, we are examining and redefining our relationships with one another […]
2020 California Open Exhibition
Tag Gallery 5458 Wilshire Boulevard, Los Angeles, CA, United StatesCONGRATULATIONS 2020 CALIFORNIA OPEN ACCEPTED ARTISTS
Juror Kate Mothes selected 101 unique objects of fine art from 99 artists.
Nearly 1,000 entries were submitted to the artist call.
The 2020 California Open displays at TAG in all of our downstairs galleries from September 9 — October 1. Fine art viewings are available by appointment only until Stay Home orders are lifted for Los Angeles. Please call or email the gallery for more information.
“Building Networks of Empathy”
18th Street Arts Center Airport Gallery 3026 Airport Avenue, Santa Monica, CA, United StatesThe exhibition Building Networks of Empathy is the second of a two-part show that asks us to consider the ways in which art empowers not only the artist, but its viewers to transform their most difficult experiences into enlightened outcomes. The first part of the show is an ongoing online-only exhibition entitled Facing Darkness, which encouraged artists in our community to reflect internally on our current moment of pandemic, isolation, and structural inequity laid bare.