Event Categories:ExhibitionsTeachingPresentations
The “Art of the Word” Exhibition/CATALOGUE at the The Sasse Museum of Art
Sasse Museum of Art Progress Building | Basement Level 300 South Thomas Street |, CA, PomonaThe "Art of the Word" catalog is now live and available for viewing on the Sasse Museum of Art website!
https://debradisman.com/2023/12/art-of-the-word-catalogue-the-sasse-museum-of-art/
“Adapting through Curiosity and Connection with Debra Disman”: My Podcast with Alyson B. Stanfield/Art Biz Success!
I was thrilled to have this conversation with the one and only Alyson B. Stanfield of Art Biz Success, someone I have admired and followed for a long time! Some of the points we cover: […]
EXHBITIONISTA: “Women. Defining Our Representation”
Black House ArtistI am delighted to participante in the online show: Women. Defining Our Representation, at Black House Artist I am showing: "Into The Bush", 11 x 19 x 7 , book […]
EXHIBITIONISTA: “Evidence of Joy” at Intersect Arts Center
Intersect Arts Center 3636 Texas Ave, St. LouisSays curator April Parvitz:, "When I look at the current world of art, I feel like I see a lot of evidence of many inspiring things, but not always so much joy. I know in my own art practice, I am often fueled by loud palpable emotions like pain and confusion. Perhaps if I begin practicing using joy as fuel, I will begin to do it more habitually. Perhaps if we practice seeing joy more we can become habitual joy detectives.
Show me all the joy! I want to see and share artwork made in joy, artwork made upon discovering evidence of joy, and work that is just pure joy to look at! "
EXHIBITIONISTA: “WOMEN ARTISTS MAKING THEIR MARK 2024”
O’Hanlon Center for the Arts 616 Throckmorton Avenue, Mill ValleyI am delighted to have two works shown in this exhibition: 16th annual Women Artists Making Their Mark: An ONLINE Exhibition. Co-Juried by Donna Seager of Seager Gray Gallery and Priscilla […]
EXHIBITIONISTA: “We Are Doing It All Wrong”
Edward A. Dixon Gallery 222 North St. Clair Street, DaytonI am honored to participate in the 4th annual exhibition We Are Doing It All Wrong, presented at the Edward A. Dixon Gallery, Dayton, OH.
We're Doing It ALL Wrong open sas a two month long exhibition beginning August 2, 2024. Planned by the Edward A. Dixon Gallery, the it is a challenge to artists and viewers to recognize, react and learn about the many ways humanity continually fails itself. These issues are not always mainstream and sometimes are hidden. Artwork from the prior exhibitions touched on topics such as sky high drug prices, the environment & climate change, dependence on technology, social injustice, Native American women disappearances, homelessness, gaslighting and the suffering caused by avocado farming in Mexico. Artists are encouraged to submit work that captures or is a comment on a tradition, a system, a practice, an institution or anything they see that needs to be changed for the betterment of humanity or our planet. View the online version of the previous exhibitions at weredoingitallwrong.com.
EXHIBITIONISTA: Word and Weft: Visualizing the Word
Webster Arts 2 Summit Avenue Webster Groves, (314) 279-1800, Webster GrovesI am happy to participate in: Word and Weft: Visualizing the Word, at Webster Arts I am showing: "Concurrencies I: Charlotte Salomon Eva Hesse", 58 x 19.5", denim, varnish, hemp […]
“We Write The Book” Goes to Northridge!
Northridge Branch Library 9051 Darby Avenue, NorthridgeI am thrilled to work again with the Los Angeles Department of Cultural Affairs Neighborhood Engagement Artist Residency (NEAR) program for 2024-25! I will be an artist-in-residence at the Northridge […]
EXHIBITIONISTA: “White and Texture (Monochrome Unity)” at the Cultural Center of Cape Cod
Cultural Center of Cape Cod 307 Old Main Street, South YarmouthI am thrilled to participate in "White & Texture " at the Cultural Center of Cape Cod!
Artists were invited to explore the profound subtleties and striking complexities of using white as the driving color and how texture within the white and informs the execution and the narrative of an artwork, as well as to to explore the effect of this limitation – without a “conventional” color palette.