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DTSTART;VALUE=DATE:20231224
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SUMMARY:The “Art of the Word” Exhibition/CATALOGUE at the The Sasse Museum of Art
DESCRIPTION:
URL:https://debradisman.com/event/the-art-of-the-word-exhibition-catalogue-at-the-the-sasse-museum-of-art/
LOCATION:Sasse Museum of Art\, Progress Building | Basement Level 300 South Thomas Street |\, CA\, Pomona\, CA\, 91766\, United States
CATEGORIES:Exhibitions
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DTSTART;TZID=America/Los_Angeles:20251004T170000
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LAST-MODIFIED:20251010T185845Z
UID:14585-1759597200-1772989200@debradisman.com
SUMMARY:EXHIBITIONISTA: "The California Effect: New Books  from the California Chapter of the Guild of Book Workers"
DESCRIPTION:I am thrilled to have three works in:\n“The California Effect: New Books from the California Chapter of the Guild of Book Workers”\nOpening at the Long Beach Museum of Art October 4\, 2025 and running through January 4\, 2026!\n\n\n\n\nThe California Effect: New Books from the California Chapter of the Guild of Book Workers\n\n\n\n\nOctober 4\, 2025 – March 8\, 2026 \nThe California Effect—New Books from the California Chapter of the Guild of Book Workers is rich in both artists and bookworks. There are 29 artists exhibiting 54 books\, boxes\, and broadsides. Some are in limited editions and others are one-of-a-kind. All are handmade individually with handmade and fine papers\, cloth\, thread\, glue\, inks\, and paint. What exactly is the California effect? More precisely\, what is the effect on the many of us who live\, work\, and visit here? The misty mornings and baking hot afternoons? The endless coastline\, chill forests or dry desert arroyos? Each of us has an answer\, seen in the books we make\, in our tastes and inspirations. We turn to making books: printing them\, binding them\, reinventing them\, turning them into art—making books as art. \nThe California Chapter is one of ten chapters\, revealing the national reach and scope of the Guild and its dedication to promoting interest and awareness in the tradition of book and paper arts. The members include hand bookbinders\, design binders\, conservators\, calligraphers\, makers of artist books\, fine press printers and papermakers. A fully illustrated catalogue with information about each artwork and biographical information about each artist is available to order. \nThe California Effect exhibition and related programming are graciously supported by The Kenneth T. and Eileen L. Norris Foundation\, the Pasadena Art Alliance\, and the Bess J. Hodges Foundation \n\nYou can order the beautiful catalogue designed by artist Rebecca Chamlee of Pie in the Sky Press HERE and HERE\n\nAnd… while you are there\, don’t miss:\nVoice of the Artist: Artist Books from the Permanent Collection \n\n\n\nOctober 4\, 2025 – March 8\, 2026 \nThroughout its 75-year history\, the Museum has presented contemporary art in all media\, including the book arts. In 1983\, the Museum organized At Home\, an exhibition that included artists’ books by women created between 1970 and 1983. In 2009\, Novel Constructions—Artists Create Monumental Books explored books as sculptural installations and included works by Genie Shenk and Carol Shaw-Sutton\, both of whom are represented in the Ocean View Gallery. In 2019\, the Museum presented The Artful Book of the California Chapter of the Guild of Book Workers\, and it continues this tradition with The California Effect. \nVoice of the Artist highlights a selection of artists’ books from the Museum’s permanent collection. It touches on the history of the medium\, from the livre d’artiste exemplified by Henri Matisse and Pablo Picasso\, to contemporary offset-printed codex forms such as Barbara Kruger’s My Pretty Pony. Artists continue to expand the definition of the book through unconventional materials\, like the tar paper in Genie Shenk’s Ring or the carved wood of Suvan Geer’s Author\, Author? Unstill Poetry. The exhibition features a variety of forms\, including traditional codex forms\, accordion books\, and a pop-up sculpture by Paul Johnson. The Museum gratefully acknowledges the generous support of a donor-collector Museum member\, who anonymously provided both the exhibition and the video revealing more of the books’ interiors. \n\n  \n\n\n\n\nLong Beach Museum of Art\n2300 E Ocean Blvd.\n\n\n\n\n\nMember & VIP Opening Reception: 5-7 pm\n\n\n\nGeneral Admission Opening Reception: 7-9 pm
URL:https://debradisman.com/event/exhibitionista-the-california-effect-new-books-from-the-california-chapter-of-the-guild-of-book-workers/
LOCATION:Long Beach Museum of Art\, 2300 E Ocean Blvd\,\, Long Beach\, CA\, 90803\, United States
CATEGORIES:Exhibitions
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ORGANIZER;CN="California Chapter of the Guild of Book Workers":MAILTO:california@guildofbookworkers.org ;
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20251114
DTEND;VALUE=DATE:20260103
DTSTAMP:20260523T141313
CREATED:20251106T215011Z
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UID:15034-1763078400-1767398399@debradisman.com
SUMMARY:EXHIBITIONISTA: “Sanctuary” / Know Safe Space at 18th Street Arts Center
DESCRIPTION:Debra Disman: “Sanctuary” / Know Safe Space\n\n\n\n\nNovember 14\, 2025 – January 2\, 2026\n\n\n\n\n18th Street Arts Center\n\n\n\n\n\n\n\n\n\n\n\n\n“Sanctuary” / Know Safe Space will expand upon Disman’s 2023 piece\, K no W Safe Place with the addition of a hanging roof surrounded by an inverted “forest” of knotted colored cords hung from the ceiling in various arrangements allowing pathways to the suspended black sanctuary space. The installation will grow and change over time with the addition of these hanging elements. \nSanctuary: Know Safe Space\, 2025\, 10′ x 48″ x 48″\, canvas\, netting\, burlap\, cord\, lace\, ribbon\, paint\, wood\n \nSanctuary: Know Safe Space\, 2025\, 10′ x 48″ x 48″\, canvas\, netting\, burlap\, cord\, lace\, ribbon\, paint\, wood\nThis installation draws upon Disman’s ongoing study of the groundbreaking practices of artists Charlotte Salomon and Eva Hesse using artmaking to transcend trauma; research into sanctuary movements and spaces and the use of textiles within these; exploration of the“quipu/khipu”\, a record-keeping device made of knotted cords of assorted colors used in various cultures in the central Andes of South America; and investigation into the work of artists who have used fiber-based materials to create environments\, structures and shelters including Do Ho Suh\, Chiharu Shiota and Tracey Emin. \nDisman will also engage in dialogue with others inside the Sanctuary space\, informally videotaping these participants’ response to the installation and their immersion in it\, as well as offering “interviewees’ the opportunity to share about their own practices\, projects and practices\, especially as they relate to 18th Street Arts Center. These short-form videos will serve as an informal archive of our present moment\, the role of the creative process in it\, and the support and sanctuary 18th Street Arts Center is offering to the community by allowing us to Know Safe Space. \nAnyone wishing to be interviewed/dialogue in the Sanctuary can contact should contact Debra at debra@artifactorystudio.com \nAbout the artist \n \nDebra Disman is a Los Angeles-based artist known for her work inspired by the book\, which traverses textiles\, installation\, sculpture and performance to push the familiar into forms that arrest and baffle\, while simultaneously offering places of contemplation and solace. She creates work and projects which investigate states of being and connectiveness through intensive interactions with materials while attempting to fully explore and exploit their haptic properties. \nHer work is widely shown in museums\, galleries\, art centers\, universities and libraries including The Torrance Art Museum; Art Share LA; The Irvine Fine Arts Center; The New Bedford Art Museum; The Brand Library and Art Center; ReflectSpace Gallery in Glendale\, CA; Craft Contemporary in LA: The Long Beach Museum of Art; The University of the Arts in Philadelphia; The Cape Cod Museum of Art; and The Charles E. Young Research Library at UCLA\, as well as through social practice and community endeavors. \nDisman was the featured artist for the 2016 Big Read in LA and recipient of an 2016-17 WORD: Artist Grant / Bruce Geller Memorial Prize. She was commissioned by LA’s Craft Contemporary to create the interactive book “Chromatic Interactions” in 2017 and 18th Street Arts Center to create the artists’ book\, “Unfolding Possibilities” in 2021. Her book “CONCURRENCIES Charlotte Salomon and Eva Hesse: Genius\, Trauma and the Creative Imagination” was published by ReflectSpace Gallery/Glendale Arts and Culture in 2023. \nShe was a 2018 Studio Resident at the Camera Obscura Art Lab at 1450 Ocean in Santa Monica\, and has served as an Artist-in-Residence for the Los Angeles Department of Cultural Affairs since 2017\, directing the “We Write the Book” project. A Santa Monica Artist Fellow in 2021-22\, she has been a local artist in residence at 18th Street Arts Center since 2018.
URL:https://debradisman.com/event/exhibitionista-sanctuary-know-safe-space-at-18th-street-arts-center/
LOCATION:18th Street Arts Center Olympic Campus\, 1653 18th Street\, Studio 1\, Santa Monica\, CA\, 90404\, United States
CATEGORIES:Exhibitions
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ORGANIZER;CN="18th Street Arts Center":MAILTO:office@18thstreet.org
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